
Shara Hughes @ Museum 52, 52 Redchurch Street, London E2, from 31st January - 1st March.
Daily news, views and reviews from London's art scene and beyond...
Mark Quinn’s work never really did it with me. I never quite got that whole Kate Moss yoga thing with 'Sphinx'. But I get it now. Today, I am a total convert - A fan of Quinn’s, a devotee to each and every one of his recent works, which were unveiled at the swanky west one White Cube Mason's Yard last night.
Downstairs, Quinn went back to marble, with nine enormous sculptures, depicting the various fetal stages of pregnancy. Now, that might sound a little icky, but believe me, there was nothing vulgar here. These, which are being sold as a set, were clean, solid and stunning. The embryos looked as though they were practically fighting to get out of the stone, while the grain of the marble was ideal, strangely flesh-like and alive. Finally, in the smallest room, Quinn included some working sketches; drawings in water colour and thick pencil, filled with energy and confidence.
Jeff Koons has made it to the Palace of Versailles. As an addition to the annual ‘Versailles Off’, from September 26 2007, he’ll be exhibiting up to fifteen works. Now, given that Koons is arguable the costliest artist around – this man has armies of artists working for him – I’m figuring, it’s apt that he’ll be showing at Versailles. With huge pieces placed both in and out of the palace, it should be quite the show. And you wouldn’t really expect anything less – and that, frankly, is not such a bad thing.
Mr Manga himself, Yoshitaka Amano, is back with a solo show, ‘Deva-Loka’ at Michael Janssen in Berlin – which is, by all accounts, a fair distance from Amano’s Tokyo and New York homes. Still, that’s not to say his genius won’t be appreciated on European soil; it will. His work is international, and crosses all sorts of boundaries. So, it goes without saying, you don’t have to be a video game aficionado to appreciate ‘Deva-Loka’.
This month, there’s a superb slice of French action at LA's De Soto Gallery. Serving up the first US exhibition, 'La Chute', AKA The Fall, by France’s Denis Darzacq, this one, despite it’s content, is kind of slick. Influenced by the 2005 housing riots, Darzacq has photographed seemingly ordinary people floating, flying, and spinning round mid-air, as if catapulted during flight or flight. Documentary you might think, however, these subjects are hip-hop dancers and athletes. They are those used to getting spun above the nice firm ground. And that means La Chute is a little more staged than the average riot, and in that, a touch more classy and well worth checking out.