Showing - Sarah Braman 'Love Songs' @ Museum 52 - NYC

News - Keith Haring's Houston Street and Bowery Mural - NYC

The late, great Keith Haring's work is enjoying a welcome reappearance. In celebration of his fiftieth birthday on 4th May, The Keith Haring Foundation, together with Deitch Projects and Goldman Properties, has hired a group of artists to recreate his big and bashy untitled mural, which was once situated near Houston Street and the Bowery in New York. The piece that popped up a lone concrete slab in 1982, went though a few repaints in its time, and today, those involved in its reproduction are going for authenticity. The team creating the piece are working from old photos and fairly ancient paint samples from the site, putting together an almost bone fide Haring.

Keith Haring’s Houston Street and Bowery Mural from 05/04/08 - 12/21/08

Showing - Gajin Fujita 'Pacific Tsunami' @ Haunch of Venison - London

Showing - Blek Le Rat 'Art is Not Peace But War' @ Subliminal Projects - LA

A couple of years ago, I met Blek Le Rat, AKA Xavier Prou, at a private view in London – his private view. While we had a little language issue – his English is about as good as my French – I couldn’t help but to like the guy. He had this cheeky glint, as if he were permanently amused. And who could blame him? There was some heavy action going on at the view; I have never seen such a serious amount of sales. The gallery could hardly keep up with demand.

That evening was one of those mashed-up graff nights with D*Face showing down the road at Stolen Space. However, the two exhibitions, which essentially came from the same place, were a world apart. D*Face was, and is, something else. His work has come so far; he is now a fully-fledged, frankly outstanding talent. Blek Le Rat, meanwhile, is a seen it all, been it all, who’s fast being overtaken as the international stencil king by the ubiquitous Banksy. How it will turn out who knows, but one thing’s certain, Mr. Le Rat is where it all started. In fact, you could argue, that without the cheeky Frenchman, Banksy would never have travelled the road he's taken. Come on, where do you think all those rats came from?

Now, Blek Le Rat, like Banksy, is debuting at LA's Subliminal Projects Gallery with a show entitled ‘Art is not Peace But War’. The exhibition represents, in title, the difficulties of working as an artist. Difficulties, which undoubtedly bring forth great things, great thoughts, great work, and great art.

Blek Le Rat 'Art is Not Peace But War’ @ Subliminal Projects Gallery, 1331 Sunset Boulevard, L.A. Until 2nd May 2008.

Showing - David Hochbaum 'Tracking Invisible Cities' @ Strychnin Gallery - London

Showing - Guy Tillim @ Haunch of Venison - Zurich

Hot Work from Ellen Harvey @ 2008 Whitney Biennial - NYC

Offering - Prints in Shoreditch - London

POW, AKA Pictures on Walls, is offering folk the opportunity to “drop by the 'factory', buy special one-offs, and watch people in authentic Shoreditch period costume, rolling up prints and putting them in tubes.” I like the way they put it. So much so, I'm temped to drop by myself.

Now, print themed, POW, do much more than just wear funky clothes. They also represent a nice, tight stable of talents, including Jamie Hewitt, the ubiquitous Banksy and Invader, as well as Pete Fowler, of Super Furry Animals fame, Sickboy and Faile. All are available, or rather their work is available, via www.picturesonwalls.com. However, if you’re feeling more online than off, and fancy picking up a print or simply a few fashion tips, contact Dora at dora@pituresonwalls.com and make an appointment to drop by.

Showing - Hacienda 25 Urbis Exhibition - Manchester

Showing - New Directors/New Films - NYC

New Directors/New Films is fast approaching fortieth year, and enjoys it's thirty-seventh showing this month. The festival kicks off today, and comes courtesy of The Film Society of Lincoln Center and MoMA. It's concept is simple; introduce New York audiences to up-and-coming filmmakers from around the globe. We're talking everywhere from Thailand to Haiti to Greece and Israel here. As such, this event boasts a pretty hot bill, one aptly packed with creativity culture.

Unsurprisingly, America features prominently, hooking up with Rwanda for ‘Munyurangabo’, a film directed by Lee Isaac Chung, set in the aftermath of the Rwandan genocide. While the later is described as 'fresh, immediate and utterly authentic', other movies included are more sci-fi, such as Alex Rivera’s, ‘Sleep Dealer’, a thriller that deals with global capitalism, said to have the ‘look and energy of a futuristic computer game’. Additionally, France’s 'Water Lilies', from Céline Sciamma, deals with desire and disenchantment within the world of teenage girls, while the UK's (by way of China) ‘We Went to Wonderland’, directed by Xiaolu Guo, follows a Chinese couple travelling though Europe. Now, I haven't seen the film, but I like the sound of it. The husband communicates through writing having lost his voice to cancer, while his wife is described as 'delightfully pragmatic'. Their encounters are said to be amusing with the duo being greeted by what is essentially an alien world. And I like the sound of that; it's like a The Wizard of Oz by way of La Hague, without the agro.



New Directors/New Films is taking place atthe Walter Reade Theater at Lincoln Center,The Roy and Niuta Titus Theater 1 at MoMA, from 26th March - 6th April.

Showing - Jack Pierson @ The Irish Museum of Modern Art - Dublin

Film - Fantastic Planet (La planète sauvage) @ The Barbican - London

Rene Laloux’s weird and whacky ‘Fantastic Planet’ is showing at The Barbican, this March. An adaptation of Stephan Wul’s eponymous novel, back in the day the movie picked up the several awards including Cannes Special Jury Prize 1973.

Often shown as a double bill alongside ye olde favourite ‘The Yellow Submarine’, the film lives up to its name, with action taking place on the planet Ygan, within a world habituated by bug-eyed, blue guys called Draags. These characters favour pet humans, AKA Oms (hommes, get it?); a taste that, unsurprisingly, leads to an uprising.

While this may all seem a little 'Planet of the Apes' meets evil 'ET' by way of Dali or May Ray, the movie is a classic, one relective of the times' political and economic climate. Mixing sixties notions together with seventies technologies, it's certainly got a certain something. And yes, OK, this may sound a little dated and cheesy now – but hey, laser jets, LCDs and, lipsuction, all came along in the seventies, as did the trusty cashpoint and Post It Note. Exactly.

Fantastic Planet (La planète sauvage) is showing at The Barbican, Barbican Centre, Silk Street, London EC2, on 29th March 2008.

Busted at the Biennial 2008 - Grrrr.

Undercover @ Whitney Biennial 2008

Showing - 'The Spray Gun and the Cosmos' by John Latham @ Delave Saltoun - London

Representing a group of fairly funky artists (Colin Self, Dieter Roth, and Keith Arnatt to name but a few), Delave Saltoun is a relatively new gallery in London. The space specializes in post war British and international art, and this month is showing a rare collection from the late, great John Latham; ‘The Spray Gun and the Cosmos’. These works were last seen during the sixties, but to be honest, they're so current, they could have been created yesterday. And that’s just typical of Latham. He was such a quirky, radical kind of talent and, as such, is thought of as one of the most influential artists of the late 20th century. His techniques were extreme. His 'Still and Chew' collection was based around, well chewing and spitting. It’s a technique that must have worked pretty damned well as the works currently find home in MoMA.

Back to the Delave Saltoun show, and 'The Spray Gun...' pieces too are fairly revolutionary too, and are believed to be some the first examples of spay painting within fine art – and that can’t be a bad thing.

John Latham’s The Spay Gun and the Cosmos' is showing at Delaye Saltoun, 1st Floor, 11 Saville Row, London, W1S 3PG, from 29th February - 11th April.

Showing - Juergen Teller 'Ukraine' @ Lehman Maupin - NYC

He is that good. No really he is. Juergen Teller, his work is superb. It’s filthy, fabulous, grimy and great. It’s everything it should be and more. This month, if you’re in New York, you can check out his new show, 'Ukraine', at Chelsea’s Lehman Maupin Gallery. While this latest body of work was originally commissioned by the PinchukArtCentre for the 52nd International Venice Biennale 2007, Teller's stuck to a fashion vibe with a shoot for W. Also including ‘real people’, he's focused on capitalism within an economic reality, all hinged together with a sharp twist. Think lean, long and lanky, female nudes standing aimlessless in a wood with designer handbags covering their heads. In addition, there’s a selection of prime cut portraits that include usual suspects such as Victoria Beckham and other more quirky characters like Harmony Korine.

'Ukraine' by Juergen Teller @ Lehman Maupin, 540 West 26th Street, New York, from 7 February – 15 March 2008.

Showing - Various 'A Loaf of Bread, a Carton of Milk, and a Sick of Butter' @ Hudson Fraklin - NYC

The superbly entitled Hudson Franklin group show, ‘A Loaf of Bread, a Carton of Milk, and a Stick of Butter’, comes courtesy of curators Andreas Fisher and Nicole Francis. Pulling together the works of five hot, young artists - Anna Bjerger, Munro Galloway, Mairead O’hEocha, Anders Oinenen, and Alison Schulnik - the exhibition deals with ‘the relationship between representation and the basic material ingredients of the medium’. It's a pretty smart notion, so obvious it's unobvious; after all, that’s exactly what all art is about.

Now there’s one artist included here, who does this in spades; Alison Schulnik (Above: Fish Head, 2006). Her work is real ‘reach out and touch me’ type stuff. She slaps that paint on so thick it’s hard not to stick a finger into it just to see how it feels, not to mention whether it’s dry or not. And yes, I’m mad about her work. I think she’s a genius. Her paintings, frankly, blow my mind.

While I’m a big old Schulnik fan, it’d be remiss to leave other artists involved in ‘A Loaf of Bread…’ in the shade. Munro Galloway is another winner. While he’s gone through several guises over the past decade - everything from sultry video stills to fab Buddha shaped disco balls (Left; Shangri-La, 2000) - his work is continually inspired and, often rather intense (in the best possible way). Anna Bjerger is of the quirky Stella Vine school of thought, Anders Oinonen, cubic, and multi-coloured, while Mairead O'hEocha, detailed, stylised and figurative. Indeed, they are diverse and add perfectly to this eclectic, electric mix.

A loaf of Bread, a Carton of Milk, and a Stick of Butter at Hudson Franklin, 508 West 26th Street, #318, NY 10001, from 15th February - 15th March 2008

Showing - Vanity Fair Portraits @ National Portrait Gallery - London

There’s something hot happening at London's National Portrait Gallery with the aptly entitled Vanity Fair Portraits. Exhibiting a supernova stable of prints from the New York magazine, this show does exactly what it says on the tin. Works cover a 95 years of talent including Baron De Meyer, Edward Steichen, Man Ray, Cecil Beaton, as well as more recent luminaries such as Annie Leibovitz, Mario Testino, Helmut Newton and Herb Ritts. As you'd expect, their subjects are equally impressive and range from Claude Monet to David Hockney, Arthur Miller and Madonna, Charlie Chaplin, Greta Garbo, Run DMC (above) and Demi Moore. It's an incredibly mix; this is history, culture, fashion, music and arts, in one sassy punch.

Vanity Fair Portraits at The National Portrait Galley, St Martin's Place, London WC2, from 14th February – 26th May 2008

Showing - Jan de Cock 'Denkmal 11' @ MoMA - NYC

Jan de Cock, 'Denkmal 11' showing at MoMA, 11 West 53 Street, NY 10019-5497, from 23rd January – 14th April 2008

Previous - Dan Perjovschi 'WHAT HAPPENED TO US?' @ MoMA - NYC

"They way they rate it (cartoons) is lower somehow, but who cares, if I can do it at MoMA," Dan Perjovschi

Showing - Shara Hughes @ Museum 52 - London

Shara Hughes @ Museum 52, 52 Redchurch Street, London E2, from 31st January - 1st March.

Private View Review - Mark Quinn @ White Cube Mason's Yard - London

Mark Quinn’s work never really did it with me. I never quite got that whole Kate Moss yoga thing with 'Sphinx'. But I get it now. Today, I am a total convert - A fan of Quinn’s, a devotee to each and every one of his recent works, which were unveiled at the swanky west one White Cube Mason's Yard last night.

Now Quinn’s clearly got sex, birth and procreation on his mind; this show is all about human and plant style breeding. It’s a fantastic mix, one which Quinn’s given his all to, producing in a whole host of media’s, set out over three spaces of the gallery. Upstairs, in the first room, ‘The Nurseries of El Dorado’, was a real paradise jungle; four enormous hand painted canvases of brightly coloured flowers surrounded the floor space in between, which was covered with podiums topped by bronze, chrometized potted plants. Think shinny lilies, bearing fruit - strawberries, apples and large rather phallic giant jalapeños. Yeah, you get the idea. To a child it would look like the secret garden, to an adult, the secret sex garden – and it was frankly, breathtaking.

Downstairs, Quinn went back to marble, with nine enormous sculptures, depicting the various fetal stages of pregnancy. Now, that might sound a little icky, but believe me, there was nothing vulgar here. These, which are being sold as a set, were clean, solid and stunning. The embryos looked as though they were practically fighting to get out of the stone, while the grain of the marble was ideal, strangely flesh-like and alive. Finally, in the smallest room, Quinn included some working sketches; drawings in water colour and thick pencil, filled with energy and confidence.

Quinn is quite the funny guy. The works at White Cube have been dubbed with some dry, amusing titles like: 'Opening of the Northwest Passage', and 'The Lost Rivers of London' . Oh, and my favorite, 'Early Self-Portrait', a small pick marble fetus, of a stage when we all looked the same.

Mark Quinn @ White Cube, 25 -26 Mason's Yard, London from 25 January - 23 February 2007.

Showing - Michel Gondry 'Be Kind Rewind' @ Deitch Projects - NYC

Michel Gondry 'Be Kind Rewind' @ Deitch Projects, 18 Wooster Street, NY 10013, from
February 16 - March 22, 2008

News - Jeffs Koons Exhibiting at Versailles - Paris

Jeff Koons has made it to the Palace of Versailles. As an addition to the annual ‘Versailles Off’, from September 26 2007, he’ll be exhibiting up to fifteen works. Now, given that Koons is arguable the costliest artist around – this man has armies of artists working for him – I’m figuring, it’s apt that he’ll be showing at Versailles. With huge pieces placed both in and out of the palace, it should be quite the show. And you wouldn’t really expect anything less – and that, frankly, is not such a bad thing.

Showing - Yoshitaka Amano, Deva-Loka @ Galerie Michael Janssen - Berlin

Mr Manga himself, Yoshitaka Amano, is back with a solo show, ‘Deva-Loka’ at Michael Janssen in Berlin – which is, by all accounts, a fair distance from Amano’s Tokyo and New York homes. Still, that’s not to say his genius won’t be appreciated on European soil; it will. His work is international, and crosses all sorts of boundaries. So, it goes without saying, you don’t have to be a video game aficionado to appreciate ‘Deva-Loka’.

The works presented here are diverse. Think large canvases, aluminum panels, ‘psychedelic ornamentation’ and ‘grim superheroes’. While I’m not so sure about the ‘psychedelic ornamentation’, it’s too close to lava lamp for my liking, I’m always sucker for a ‘grim superhero’, and as for the canvases, well, going by the press images, they're bound to be pretty funky too.

Yoshitaka Amano, Deva-Loka @ Galerie Michael Janssen Berlin, Kochstr. 60 D-10969 Berlin, from January 19 - February 29, 2008

Alison Jacques @ Artera - Bologna

Showing - Global Lens 2008 @ MoMA - NYC

Global Lens 2008 @ MoMA, 11 West 53 Street, NY 10019-5497, from 10th - 24th January 2008

Denis Darzacq La Chute @ De Soto - LA

This month, there’s a superb slice of French action at LA's De Soto Gallery. Serving up the first US exhibition, 'La Chute', AKA The Fall, by France’s Denis Darzacq, this one, despite it’s content, is kind of slick. Influenced by the 2005 housing riots, Darzacq has photographed seemingly ordinary people floating, flying, and spinning round mid-air, as if catapulted during flight or flight. Documentary you might think, however, these subjects are hip-hop dancers and athletes. They are those used to getting spun above the nice firm ground. And that means La Chute is a little more staged than the average riot, and in that, a touch more classy and well worth checking out.

Le Chute @ De Soto Gallery, 08 W 2nd St. #104
Los Angeles, CA 90012, from January 12 – February 23 2008.

On a Street Near You - One Week of Art - Daisuke Yamamoto

Graff Production Line Euro-Style